For its structural characteristics San Pedro de la Mata belongs to the cruciform Visigothic churches of the 7th century, together with Santa Comba de Bande and Santa María de Melque; however, this church links also with the best Toledan court art, according to the remains of decoration that have appeared and, as we shall see, for a modification in its structure with respect to the two former ones, it may be considered as a precedent of San Pedro de la Nave and Quintanilla de las Viñas. According to the most ancient reference that we know about it, a description of the 17th century, it was built in the times of king Wamba (672-681), which can be easily accepted given the high building spirit he had and also considering that the dating perfectly fits with the chronology we know of cruciform churches. Unfortunately, only remains of some walls Following the 4/3 scale design of Santa Comba de Bande consisted initially of two naves that crossed at the crossing, forming a lantern upon horse shoe arches, of which only the southern side one is left, that, different to Bande, instead of leaning directly on shelves in the wall, they stem out over pillars attached to it and decorated marble imposts. If the portico was also simetric to the apse, we find ourselves in front of a clear precedent of the type of church that will so As we have mentioned in our notes on Bande, the lateral chambers were added later, what can be easily seen in the plans of separation that exist in the remains of the chevet, between the wall that corresponds to the apse and those of the lateral chambers. In this church there are The apse is separated from the main nave by a horse shoe arch with irregular voussoirs, some of them without extrados, extended in almost 2/5 of the radius below its centre, which now does not have the springings, formed by the decorated imposts, now disappeared, and most likely by capitals and columns like in Bande, although
| |||||
|
given the low thickness of the arch wall, there must have been here only one at each side. All of this suggests it was covered by a barrel vault and, most likely, there was a chamber between it and the roof, accesible only through an interior window, as the one in Santa Comba de Bande.
We cannot know for certain how the naves and the lantern of the crossing were covered, but there are reasons to think that they were different to the rest and, although the limited thickness of the walls could make us think it would have been difficult to cover them with vaults, the fact that they collapsed not much after they were built, supports this theory. The remains left, with two lateral With regard to the decoration, of which almost nothing is left in the ruins, it was based on friezes distributed throughout the building and formed by vegetal stems with palmettes and bunches, flowers, etc. Also remains of decorated stones have appeared reutilized in constructions of the near villages of Arisgostas and Casalgordo, with volutes and geometrical It is practically impossible to know the chronological order in the building of the three churches that form tha basic nucleus of the group of cruciform churches. There is not any historical reference from Melque and its dating is very questionable, mainly for its lack of decoration, to the event that some considered it to be Mozarabic, but we have much more information of the two others. We know for certain that both had been built between 670 and 680 and the only doubt is which one was first. On the one side, the fact that San Pedro de la Mata was so close to Toledo makes us think that it was built first since it is quite normal that the innovations radiate from the capital to the provinces but, in spite of that, if we take into consideration the vicinity of Bande with Braga to which diocese it belonged, and its more similarity with the structure of the Mausoleum of San Fructuoso, we stand for the theory that considers Bande being earlier.
| |||||