 Guide of Spanish Pre-romanic Art:
SAN VICENTE DEL VALLE
Phase/Style: Visigothic/Transition Period: 7th century State: Good Location: San Vicente del Valle (Burgos) |
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In the eastern sector of the province of Burgos, located in the northern foothills of Sierra de la Demanda, we find this construction from Visigothic times, very little known but, considering its excellent state of preservation and special features, seems to be of great interest to get to know the Architecture of those times, from which, unfortunately, very little has reached to our days.
It is a building of rectangular plan with only one nave of great proportions, that has preserved its original structure and a square chevet facing northeast, from the Mozarabic period, that probably replaced a previous one of smaller size. The nave is lightened by four simple rounded arch windows on the southern side and by two surprising sets of twin windows on each side, very highly placed, each one of them formed by 
two horseshoe arches separated by a column with capital and impost.
During to a restoration after its roof went on fire in 1986, archeological excavations took place that date its foundation in Visigothic times, although some material from a previous Roman or Paleochristian building was used. However, two phases are distinguished, prior to the 8th century, clearly differentiated in its building: the first one of them, where the nave was built, with the lower windows and an apse, now disappeared, and a later one where the height of the nave was enlarged and the twin windows were opened much higher. Later on, in Mozarabic times -9th or 10th centuries- it seems it became a monastery of a certain importance in the area, to which the present apse with three windows were added, covered with a dome and an interesting cornice decorated with vegetal and geometric motifs. Also in this phase the portico was added, preserved in a great part, formed by three compartments. A stoup has been found in the one facing the south and four column 
bases framing the entrance door in the central one. Already in the 13th century it went through a new modification, in the last times of Romanesque art, when the present door was added as well as the belfry and the apse's entrance arch were modified.
During the same restoration, a tomb appeared placed at the feet of the nave, opposite the apse, that has been considered belonging to the first phase of the construction, together with a series of remains decorated from different periods that seem to us of great interest to analyse this building. In fact, whilst in its building diverse elements of the Roman period had been reutilized, amongst them many funeral steles, and later, already in the medieval period, its environment was used as a cemetery, from which several discoid steles have been preserved, only four capitals from the Visigothic period have appeared, upon the separation columns of the twin windows, thought to belong to the same workshop and from 6th or 7th centuries; some of them are surprising for containing human faces in a kind of sculpture unusual in Visigothic art.
Taking into consideration all that has been said above, this building, from which we know it contained a tomb at
the reconquest of the zone and utilized as a monsatery church, a situation that has been maintained to our days, after having gone through some modifications in the 13th century, contains a series of very unusual features in Visigothic architecture and totally contradictory with the examples of religious architecture of that period that we know today. Among those we can mention the following ones:
rounded whereas the upper ones are horseshoe arches, what seems to indicate that the original building is of a former period and that the upper part of the walls belongs to the Visigothic period.
From this palace, which only keeps the plan up to an approximate height of 1 meter, there is a theoretical reconstruction that we think it to be adquate. It was built in times of Leovigildo and consisted of a rectangular building of more than 130m long by 9m wide, distributed in adjacent naves, all of them of two levels, according to that reconstruction, and with windows in both plans. There is an important difference with the nave of San Vicente del Valle, because in Recópolis a series of central pillars were used to support the gabled roof, that are not shown here, which could be explained as it was a nave of much lesser length, or for a bigger development of the building techniques, as the enlargement of San Vicente probably took place one century after. If we accept this possibility, the church of Santa María del Valle would have been a two storey civilian building in its Visigothic version, possibly the palace of a large rural piece of land or of a small city. To support this theory we recall that the other city we know the Visigothics founded in Spain was Vitoriacum, i.e.: Vitoria, just 107 Km to the north of San Vicente del Valle, so it does not seem at all preposterous to think that in this place, located between that city and the Spanish area most populated by the Gothics, a Visigothic centre of some importance may have existed.
